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Say What's Real: The Month In Rap

How Bushy B Went Viral Eight Years Late

Aaron Jackson

As a journalist in a nihilistic 2026 hellscape, trust me when I say this: Abrupt career wakeup calls are usually pretty shitty. So then, I am charmed when Bushy B tells me about the moment his job as a case manager for at-risk youth came to an end. Taking a lunch break as his eight-year-old single "Scared" was going viral, he ran into a transformative First World Problem for emerging musicians. 

"I kept having to go out of town to meet with these people and I ran out of PTO," the Miami-based artist explains. "I had to make a decision." That decision was to make music his full-time gig, and, besides a missed initial flight to NY this past Tuesday, it’s worked out pretty well. After all, we’re sitting in the ultra swanky SoHo House, and it doesn’t seem like he’s tripping about the expensive Uber he just took to get here. "I’m just trying to take it one day at a time," he says. That next step will involve the release of Lifestyle, a new album he’s set to drop this Friday. 

Checking at a tidy 15 songs, the project sees Bushy shift between earnest street reflection and sultry romance with languid ease. For the opener, "Back On My Feet," he cruises a spacy soundscape for a rumination on battles won and others yet to be completed. Meanwhile, on tracks like "Meet Me In The 305," he grafts sweet nothings onto wet strings like waves brushing Miami Beach. His voice is a little more elastic, but there’s a rasp at the edge that sort of reminds me of 6LACK. If he is like 6LACK, he’s the more wholesome, post-therapy person. Kicking it with my writer friend, his publicist and his other homie, he makes time to return a call he missed from his mother during our interview; she wants the rundown on his NY trip. 

Years before she had business trips to check in on, Bushy’s mom, along with his father, would expose him to the sounds of Gregory Isaacs. Soon, he’d be flipping through their CD books and switching discs in and out of his CD player as he soaked up the sounds of Jagged Edge, New Edition, and Michael Jackson. "I was into music at a very early age," he says. Soon, that palette grew to include folks like Lil Wayne, Kodak Black, and Rick Ross. He says his pops used to play with Rozay back in high school. Bushy was into sports too, but the customary accouterments of the streets were usually close by. "My dad took me to my first dice game at four years old," he recalls. "I’ve seen people get killed in front of me for $5." 

Still, the danger only emboldened him. "I’m fearless," he says. "I take my music seriously because I know it’s a way out." And yet his first path to salvation was located within the walls of Florida Memorial University, where he enrolled to study criminal justice. There, he realized he could pursue an actual music career once he teamed with classmates to release a track the whole school was singing. From there, he unloaded his debut mixtape, Cursed By The Gift, in 2016. 

He continued flaunting those bluesy vocals on projects like W241, which houses his belated breakout single, "Scared." Powered by earnest confessionals and an Afrobeat-inflected soundbed the cut did numbers in its day. The thing is, it’s now in its day again. Actually, more now than ever. In a testament to the randomness of the internet, thanks to some young Miami TikTok creators using the track, it ended up going super viral, with the sped-up version eclipsing 6 million Spotify streams. Seeing fans in Africa accentuated the extent of his level-up. It also gave him an epiphany about the nature of sound. 

"I learned that music is a universal language," he says. "It could be whatever learners, but if they like that song, they'll learn the word." These days, a lot more folks are trying to learn his words.

"Success to me is just freedom,” Bushy says. “If I'm free to just create and free to help others.” Even though he’s a musical full-timer now, that whole "help others" thing isn’t cap. To this day, he posts a "quote of the day" to help guide the folks he used to mentor as a case manager. 

"If I miss a day, these same kids are writing to me like, ‘tighten up,’" Bushy explains. "I’m a full time musician," he adds. "My job is to inspire."

COLD AS ICE

Pooh Shiesty - "FDO"

For nearly nine years Tee Grizzley held the belt for Best First Day Out of Prison track, but Pooh Shiesty might have just taken it last month. Defiant and dexterous, the track makes me, a moderately successful writer, feel like a seasoned gangster in the middle of a major getback. As the best songs should.

Veeze - "One Of Them Ones" (Feat. Lil Baby & Rylo Rodriguez)

The mush-mouthed flows here are liquid as always, and Lil Baby saying "They turned hip-hop to Kidz Bop" is one of my favorite bars of 2K26 so far. More Veeze this year, please.

French Montana & Max B - "Ever Since U Left Me"

Things were looking pretty iffy for Max B when Public Domain 7: The Purge dropped in the days before Christmas. His voice was a little too gravelly, and it was more than a little bloated. On Coke Wave 3.5: Narcos, Max course-corrects with a little help from bestie French Montana, who resurrected himself from complacency with buoyantly petty disco flips like this one. Max came through with some very Biggavelish bars on this one too.

Maino, Dave East, Jim Jones, & Fabolous - "Squatters Rights Freestyle"

50 Cent will get these jokes off, but that means he can get these bars, too. Kudos to Fabolous for frying Fif in a verse that still hasn’t gotten a direct response.

Doechii - "girl, get up." (Feat. SZA)

Doechii returns with a stylish clapback at haters. The ambient instrumental and SZA’s unaffected vocals frame it all in easygoing cool.

J. Cole - "Disc 2 Track 2"

This song is obviously gimmicky, but Jermaine’s ability to maintain a coherent, non-linear story suffused with 4K detail and liquid rhyme schemes is … fairly incredible. Not sure I’d want an entire album of these, but Cole is rapping. No doubt.

A$AP Rocky - "Stop Snitching" (Feat. Sauce Walka or BossMan Dlow)

My GOODNESS Rocky spazzed on this, and depending on which version you get, so did Sauce Walka or BossMan Dlow. There’s one version on Apple Music (Sauce) and one on Spotify (Dlow). Both are proof that Rocky is pretty much back, man.

Lil Uzi Vert - "What You Saying"

I go back and forth with Uzi, but recent singles like "Regular" and "Relevant" brought me right back. Ditto for "What You Saying," a seamless blend of club percussion, orchestral strings, and Uzi’s mellifluous, yelping melodies.

Maxo Kream, Denzel Curry, & JPEGMAFIA - "Fake Jeezy"

This one sounds like an even more apocalyptic version of some shit off "Trap Or Die," and Maxo comes through once again.

Nas & DJ Premier - "Writers"

Nas & DJ Premier’s joint album wasn’t the apex boom bap miracle folks hoped it would be, but you know, it was good, and the sincerity and general atmospheric strength of tracks like this one is the reason why.

ROAST ME

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